I played with a tip I heard about 20+ years ago. I thought it was so cool that it stuck with me and I never had all the components to try it or the right model.
What he used is oil paint thinned with turpenoid and a wash of what I thought was enamel paint thinner.
With the thinner laid down....
The brush that is dipped in the thinned out oil paint is touched to a corner of the scribed recess. It is cool to see it pull the white around. I did notice that I had to wick up some of the thinner. Then applied the thinned oil paint.
It was o.k., The enamel thinner did soften the paint a little (because it is enamel paint). I do not remember if he used the enamel thinner over acrylic paint, but after doing this experiment I believe it probably was.
One square done.
Completed the aft deck.
I used just the thinned oil paint and it wicked around pretty good without the thinner. Looking back, it might have been good to re-scribe some lines in because some of the lines had softened up in the mold pulling run (torpedo doors for one) and other lines filled in with paint. The brush I used should have been even finer (it was a 00), so next time 0000. The 00 even touching the line it would also touch out side the line. While rubbing off the excess of paint and brush dots left a slight film behind (enamel thinner etching the surface). I am going to use a 1200 grit sand paper to remove the film before a clear coat goes over it all.
I did put a lighter gray on the top bow sonar. Have not seen it done on the Scamp pictures I have, but I like the way it looks. I might tone it down a bit. The white in the scribing will probably be made a little less stark too. As far as this technique, that I have waited 20 years to try, meh to cool depending on how sharp the scribing is. This guy did amazing detail work and this worked for him. I will try to use this to figure out where it will work for me and where it won't.
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